Regional Arts NSW - The peak body for regional arts activity in New South Wales

Speakers

Prof David Throsby
Rhoda Roberts
Scott Rankin
Dr Anne Bamford
Christine Burton
Prof Stuart Cunningham
Ros Derrett
Clare Keating

Christopher Madden
Tony Moore
Jan Muir
Alan Pigott
Michael Richards
Dr Mandy Thomas
Roger Wilkins


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Professor David Throsby

Professor David Throsby
David Throsby is internationally known for his work in the economics of the arts and culture. His book The Economics of the Performing Arts, co-authored with Glenn Withers, first published in 1979 and reissued in 1993, has become a standard reference work in the field. In addition to the performing arts, Professor Throsby’s research and writing has covered the economic role of artists, the economics of public intervention in arts markets, cultural development, cultural policy, heritage issues, and sustainability of cultural processes. He has also written extensively on the theory of public goods and the economics of higher education. His most recent book, Economics and Culture, was published in 2001 by Cambridge University Press.

David Throsby holds Bachelors and Masters degrees from the University of Sydney, and a PhD in Economics from the London School of Economics. He has been Professor of Economics at Macquarie University in Sydney since 1974. He has been a consultant to the World Bank, the OECD, FAO and UNESCO as well as many government organisations and private firms. In 1990-1992 he chaired three of the Prime Minister’s Working Groups on Ecologically Sustainable Development.

Professor Throsby has held numerous position on Boards and Committees, including President of the NSW Branches of the Australian Agricultural Economics Society and the Economic Society of Australia, President of the Association for Cultural Economics International, and Foundation Chair of the National Association for the Visual Arts. He has served on the Boards of the Australian Museum, the Museum of Contemporary Art, the Copyright Agency Limited and VISCOPY. He is also currently a member of the Editorial Boards of the Journal of Cultural Economics, the International Journal of Cultural Policy, Poetics, and the Pacific Economic Bulletin.

David Throsby is listed in Who’s Who in Australia and Who’s Who in Economics (3rd edn.). He was elected a fellow of the Academy of the Social Sciences in Australia in 1988.

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Rhoda Roberts
Rhoda is a member of the Bundjalung Nation, Wiyebal Clan of Northern NSW and South East Queensland.

  • Creative Director Public Event Group (2001 - current)
  • Artistic Director Sydney Dreaming Festival (2002 - current)
  • Artistic Director Garrabarra Dance Group (2001-current)
  • Creative Advisor Japan world expo 2005 Indigenous program (2004)
  • Producer/ Presenter ABC Radio national AWAYE
    (2002-current)
  • Journalist/ Presenter Deadly Sounds National Music Program (1995 - current)
  • Contributing Editor Vibe Magazine (Monthly) (2001 - current)
  • Segment Director 2003 Rugby World Cup

Rhoda was Co Creative Director of the Awakening Segment for the Sydney 2000 Olympic Games Opening Ceremony. For the Sydney 2000 Olympic Arts Festival she was co-creative director with Stephen Page of Tubowgule, the official opening ceremony of the Festival on Friday, 18 August. Her other role with SOCOG on a part time basis was as Indigenous Cultural Advisor.

Rhoda was Artistic Director of The Festival of the Dreaming, 1997, the first of four Olympic Arts Festivals.

Well known for her work with SBS television as a journalist and presenter for the current affairs program, Vox Populi, she has also worked for Network Ten and ABC Radio as a producer and journalist.

Rhoda has written and produced several documentaries, and was the first Aboriginal to host a national prime time current affairs program. She continues her radio work as reporter and presenter/producer of the national music program Deadly Sounds. And the ABC Radio national weekly arts program AWAYE

Her involvement in the arts is extensive. She was a co-founding member of Australia's first national Aboriginal theatre company, the Aboriginal National Theatre Trust (ANTT) and as an actor/producer and director, continues to work in theatre, film, television and radio.

In 1998 as co-writer she performed the one woman show Please Explain. She is currently completing her first novel Tullymorgan.

Rhoda works as a freelance journalist and arts consultant/producer, actor, director. Current Board positions, which Rhoda sits on, are: Sydney Opera House Trust, and the NSW Australia Day Council. Past Board appointments include: Darling Harbour Authority, The National Aboriginal and Islander Skills Development Association (NAISDA), the NSW Anti-Discrimination Board, Actors Equity and the Aboriginal National Theatre Trust..

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Rhoda Roberts
Scott Rankin

Scott Rankin
Scott Rankin is known for his work in comedy, mainstream theatre, experimental community based projects, film and television. His work has been included in Tasmania, Sydney, Melbourne, Adelaide and Edinburgh Festivals and his plays have set box office records and received exceptional reviews. Scott also provides expertise in community cultural development, project design, writing, directing and editing.

In 1992 Scott Rankin and John Bakes established BIG hART Inc and since then Scott has initiated, mentored and/or created over 20 productions for BIG hART - working primarily with disadvantaged people in regional, rural and isolated areas of Australia.

BIG hART's Achievements to date include:

  • Work has been invited to National & International Arts and Film Festivals and National & International Conferences including 2003 - The International Federation for the Teaching of English Conference (Melbourne)

  • One of the projects, HURT - a film that worked with more than 250 young people from the Northern NSW region received many awards including an AFI, and has screened on SBS.

  • BIG hART projects have received 5 Commonwealth Heads of Government Violence Prevention awards in 1993, 1995, 1997, 1999 & 2001 as well as Awards for Excellence.

  • BIG hART is at the forefront of International Best Practice in Community Cultural Development.

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In addition to his work with BIG hART, Scott has written and directed successfully for mainstream theatre, with many of his shows being produced for festivals and touring nationally and internationally. Tackling issues such as environmentalism, the rural city divide and indigenous issues, these shows have been highly successful commercially. His best known works include: Box the Pony and Kissing Frogs, Certified Male, Leaves Falling at Midnight, Pumping Irony and Beasty Girl.

Scott Rankin's Awards:

  • April 2004, 3 Green Room Awards for Beasty Girl. Best Direction - drama, Best female actor in a leading role, best innovative production)
  • 2003 Australia Council Fellowship Community Cultural Development
  • 2002 Ros Bower Award for Community Cultural Development
  • 2000 Human Rights Award - Arts
  • 2000 Premier's Litary Awards, NSW & Queensland - Drama, for Box The Pony

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Dr Anne Bamford
Dr Anne Bamford is Director of Visual Arts for the Centre for Research in Education and the Arts within the Faculty of Education and senior lecturer in Interactive Media and the Still Image within the Institute for Interactive Media and Learning at the University of Technology, Sydney.

Anne has taught in Education and Visual and Creative Arts for over 18 years. She has been recognised nationally and internationally for her research in emerging literacies and visual communication. Anne was awarded the Institute for Educational Research, Outstanding Educational Research Award for 2002. She has edited one book and just completed her second book and published many journal articles and conference papers.

Anne is a recipient of the UTS Excellence in Teaching award, and a nominee for the Australian Award for University teaching. She is currently completing research into adolescents' use of interactive imagery. She is also undertaking a major project investigating the impact of creativity on 'at risk' learners in the middle school years. Anne Bamford can be contacted on anne.bamford@uts.edu.au

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Dr Anne Bamford
Christine Burton

Christine Burton
Christine Burton has worked in cultural planning for the past 15 years both in Australia and Great Britain. From 1994-1998, Christine worked in the UK as lead consultant with Positive Solutions, Comedia and Art & Society. Consultancies led by Christine included developing feasibility studies for capital development and business plans for the Civic Halls in Wolverhampton, Yorkshire Artspace (Sheffield), Northern Print (Newcastle) undertaking an arts audit and cultural plan for Leeds City Council, developing a cultural plan for Wokingham Council and investigating the feasibility for a cultural industries base for Great Yarmouth City Council.

As well, Christine developed new media strategies for the Scottish Arts Council and Scottish Screen, brokered partnerships for arts and media development in Hull (Hull Time Based Arts, community employment organisations, educational institutions and youth arts organisations) and undertook management plans for the Royal National Theatre (London) and Customs House Theatre in South Shields.

Research in Britain includes:

  • Best Practice for the development of urban parks in Great Britain, Department of Environment (Park Life: Urban Parks and Social Renewal, 1995)

  • Strategic development of London Libraries, British Library (London: Library City - The Public Library Service in London, a Strategic Review, 1996)

  • Research into the social impact of the arts (Use or Ornament: the Social Impact of Participation in the Arts, 1997)

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Prior to relocating to the U.K. Christine worked in Parramatta City Council on the first Cultural Plan and developed public art projects and strategies.

She is currently the Course Director for the Post Graduate Program in Arts Management at UTS, lecturing in arts and cultural policy and planning, management and market research methods.

Recent and on-going research includes:

  • Leisure and Change; Choosing Museums: and Choice Modelling for Museum Visitation - a collaboration between UTS, the Powerhouse Museum, Australian National Maritime Museum and the National Museum of Australia on market share, competition and consumer choice in relation to leisure and museums

  • Social, economic and cultural impact of museums in their communities -research with industry partners, the Ministry for the Arts, Australian Museum and Museums and Galleries Foundation

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Professor Stuart Cunningham
Professor Stuart Cunningham is Director of the Creative Industries Research and Applications Centre (CIRAC) at Queensland University of Technology.

He is an experienced researcher and research manager in the fields of media, communications, cultural policy, higher education and in what is now called the ‘creative industries’.

Known for his policy critique of cultural studies, Framing Culture (1992) and for his work on Australian media and film, his recent projects include a book on popular culture amongst Asian communities in Australia (Floating Lives: The Media and Asian Diasporas, with John Sinclair); two major international studies for DEETYA/DETYA/DEST of 'borderless' education and its implications for Australian higher and further education; and the standard textbooks The Australian TV Book and The Media and Communications in Australia (with Graeme Turner). He was co-author of the Australian Broadcasting Authority report The Future for Local Content? Options for Emerging Technologies and Research and Innovation Systems in the production of Digital Content, Report for the National Office for the Information Economy, September,

Professor Cunningham is currently leading major funded creative industries mapping projects at a state and national level in Australia.

He was a Commissioner of the Australian Film Commission in the 1990s and is a Councillor of the Australian Academy of the Humanities and Chair of QPIX, Queensland's Screen Development Centre.

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Professor Stuart Cunningham
Ros Derrett

Ros Derrett
Lecturer, School of Tourism and Hospitality Management, Southern Cross University.

Ros Derrett delivers programs in event planning and management, tourism planning and the environment, marketing and special interest tourism. She has worked extensively in education, community development and arts administration in Australia and overseas; and as a consultant for private enterprise, local government, community event management and planning authorities on local and national projects.

Her research activity reflects her interest in regional consultation, cultural tourism, community cultural and economic development and tourism with a special focus on heritage, festivals and event management.

She is the Project Manager of the Centre for Regional Tourism Research based at Southern Cross University and part of the CRC for Sustainable Tourism. She manages the SCU Regional Gateway initiative dedicated to effective regional connectivity between the university and its regional community.

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Clare Keating
Clare Keating is a director, Effective Change. Established in 1993, the Melbourne-based company has consolidated its reputation for undertaking innovative, rigorous and independent research and consultancy for the three tiers of government and the non-government sector. Clare's consultancy work has ranged widely across the community and human services sector, from community arts to the youth sector; child protection, aged care and education.

Clare's published work relating to arts policy and practice includes The Taxi Driver, the Cook and the Greengrocer: The Representation of non-English speaking background people in theatre, film and television (with Santina Bertone and Jenny Mulally); Creative Connections: Promoting Mental Health and Wellbeing through Community Arts Participation and Evaluating Community Arts and Community Well-Being An Evaluation Guide for Community Arts Practitioners. Clare undertook a case study of a theatre company, included in the publication Developing Effective Consultative Practices.

Clare presented "Researching Arts for Health's Sake" with Susan Ball from VicHealth at the International Conference on Cultural Policy Research, 2002 in Wellington, New Zealand.

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Clare Keating
Christopher Madden

Christopher Madden
Christopher Madden has been the Research Analyst at the International Federation of Arts Councils and Culture Agencies (IFACCA) since 2001, over which time he has helped establish the organisation's research and information sharing program. Before joining IFACCA, Christopher worked for a variety of arts and culture agencies in Australasia, including the New Zealand Ministry of Cultural Affairs, Creative New Zealand, the Australia Council for the Arts and the National Centre for Culture and Recreation Statistics of the Australian Bureau of Statistics.

Christopher has extensive experience in developing frameworks and models for cultural statistics and cultural indicators, and in analysing data for cultural policy. His statistical work in Australia has included background work on developing an information model for culture and leisure statistics for the ABS, and producing statistical profiles for the Australia Council's Planning for the Future project. More recent statistical work includes Cross-country Comparisons: Problems and Solutions, and an international review of work on statistical indicators for arts policy (an IFACCA research report due out in July).

A significant part of Chris' arts policy research has centred around issues of evidence-based advocacy. Since his paper arguing against the use of economic impact studies in arts advocacy was published in Media International Australia in 2001, he has gone on to explore the meaning of creativity and its implications for arts advocacy in 'Advocating Creativity' and 'Creativity, Health and Arts Advocacy' (both published in the International Journal of Cultural Policy), and 'Creativity and Arts Policy' (published in the Journal of Arts Management, Law and Society ). Christopher was rapporteur on the Making the Case for the Arts session at the Second World Summit on the Arts and Culture in Singapore in November 2003.

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Tony Moore
Tony Moore is Commissioning Editor of Pluto Press and is completing a University of Sydney doctorate about Australian bohemian artists.

Tony worked first as a policy researcher and lobbiest within the youth affairs sector in the 1980s and then as a program maker at ABC Television from 1988 to 1997, working in documentaries and current affairs. Programs include Four Corners, Foreign Correspondent, Time Frame and the documentaries Nobody’s Children and So Help Me God.

Tony wrote and directed the feature length arts documentary, Bohemian Rhapsody - Rebels of Australian Culture, and writes regularly about cultural and political issues and Australian history inthe broadsheet press and scholary journals.

He is currently writing a book on the Barry McKenzie films of the 1970s and has a column on the Arts Hub web site. Tony was a member of the ABC National Advisory Council between 1986 and 1988 and is currently on the Executive committees of the Australian Fabian Society and the Evatt Foundation.

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Jan Muir

Jan Muir
Jan Muir is a researcher with a particular interest in the economics of communications and information technologies and the arts. She is currently the acting General Manager of the Research, Statistics and Technology Branch in the Department of Communications, Information Technology and the Arts. This branch includes the Department's main research facility, the Communications Research Unit (CRU), and its library.

In recent years, Jan has led research projects examining the impact of cultural programs in regional Australia. One of these was conducted in collaboration with the Australia Council, and included case studies in Port Lincoln and Maryborough. The CRU has worked closely with other groups, including the Australian Bureau of Statistics, the secretariat to the Cultural Ministers Council, academic advisers and a number of portfolio agencies. The issues they have considered include cultural statistics, cultural tourism, philanthropy and the arts, cultural mapping and the Creative Industries Cluster Study. The CRU has also developed statistical and spatial analysis capabilities which are now being applied to improve our understanding of access to cultural facilities and participation in cultural activities. It is also exploring ways of analysing the impact of particular activities on local and regional communities and the economy at large.

Jan has qualifications in economics and public policy from the University of Melbourne and the Australian National University. She has studied under Glenn Withers, who co-authored The Economics of the Performing Arts with David Throsby in 1979. She worked on the economics teaching staff of the ANU before joining the (then) Bureau of Transport and Communications Economics and the Communications Research Unit in the 1990s.

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Michael Richards
Michael Richards is a researcher, writer and academic with extensive experience of the arts. He was born in Melbourne, grew up in North Queensland and has spent much of his life in regional Australia. He worked as a photographer for more than twenty years, before turning to writing. He has written many short stories, plays, and film and television scripts, and won many awards. He now lives in Brisbane and specialises in writing and directing educational, training and documentary films. He also teaches script-writing and has written extensively on the arts.

Michael Richards was awarded an Associate Diploma in Visual Arts in 1979, and a Master of Arts (Research) in 2001. For the last three years he has been conducting a major ARC funded research project under the auspices of the Creative Industries Research and Applications Centre at QUT, in partnership with Queensland Arts Council. The project focuses on arts facilitation in regional communities and is particularly concerned with evaluating various models in terms of their residual impacts on creative community culture, the quality of life and sustainability of regional communities.

Michael Richards
Alan Pigott

Alan Pigott
Alan is Director, Arts Development with the NSW Ministry for the Arts.Previously, Alan was General Manager of the Museum of Contemporary Art, a position he held since February 2000.Alan has held a variety of positions with Rail Access Corporation including Regional Operations Manager and Executive Manager Safe working Systems. From 1997-1999 Alan worked with Warringah Council on its organisational development initiatives holding various positions including Corporate Business Analyst and Principal Strategy Coordinator.

As a senior Consultant with the Premier's Department of NSW, Alan has worked on the development and implementation of the Government's Public Sector Reform Agenda with a particular emphasis on rural policy and the implementation of new models of service provision in regional areas.

He commenced his career with the Department of the Prime Minister and Cabinet in Canberra.

Alan is a Graduate of the Queensland University of Technology and holds a Law Degree and a Bachelor of Business Degree majoring in Public Sector Management. He is an experienced public speaker having presented a variety of papers on public sector reform both nationally and internationally.

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Dr Mandy Thomas
Mandy Thomas was appointed Executive Director for the Humanities and Creative Arts at the ARC in June 2004.

Mandy is a social anthropologist with extensive multi-disciplinary experience which has involved research, consultancies, publications and films in the areas of Indigenous Australia, multicultural Australia, Asian studies and Creative Arts.

More specifically, Dr Thomas has conducted research into: Indigenous languages; Asian migration to Australia; Asian and Middle Eastern youth in urban Australia; youth cultures, and social and political change in Vietnam; cultural traffic in the Asian region; and Asian-Australian art.

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Many Thomas
Roger Wilkins

Roger Wilkins
Roger Wilkins holds the dual positions of Director-General of The Cabinet Office and Director-General of the Ministry for the Arts.

He was appointed Director-General of The Cabinet Office in 1992 and of the Ministry for the Arts in early 2001.

Mr Wilkins joined the public sector in 1983 from an academic position at Sydney University Law School, where he also undertook postgraduate studies in law and philosophy. He studied administrative law at London University.

Mr Wilkins has played a leading role in administration and law reform, corporatisation and microeconomic reform, and in Commonwealth-State relations.

He is the NSW representative on the Senior Officials Committee for the Council of Australian Governments (COAG) and a member of the Cultural Ministers' Council Standing Committee.

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